top of page

Our Recent Posts

Archive

Tags


The BI(C Hubba 2023 was an amazing event- being able to connect up with so much of Bangalore over three floors of interaction, history, policy and art was a rich smorgasbord of experiences.

We were delighted that B.I.C. reached out to us to be the heritage partner for the Uru stories of Bangalore to be located in the first floor. With all the six hours of programming in half hour slots across these two days it suddenly put us on our mettle to decide what to showcase, what to share and even more difficult, what to leave out! We realised the number of different campaigns initiatives policy measures and events that we had put out in the last four years and are continuing to do. So it is a good feeling to realise the variety and type of ReachOuts that Heritage Beku had taken on.


After much discussion we narrowed down on the seven programs and also evaluated two installations that were informative and interactive and could be accessible by both children and adults who want to reach out to understand the history or heritage of Bangalore. Thinking through these topics citing speakers flow was a tough task and it took us a few days to put us put it together. There were two very different initiatives we tried this time to make the heritage issue more relatable dramatic and more current.



The first one was looking a Krumbiegel Hall and the Genesis in some way of Heritage Beku from a more intense, dramatic, first person perspective. We reached out to noted theatre director Ashish Sen who has been a founding member of #HeritageBeku , as well as his wife Munira Sen, a brilliant actor with strong ties to Bangalore environment and its preservation. After a couple of intense conversations and back-and-forth discussions it was felt that looking at the session in the first person, interspersed with discussion music and clips would make the right impact. We even wrote in another Heritage Beku pillar Alyia Krumbiegel to go script the special piece about love loss and regeneration.


The second was the attempt to go deeper local into Bangalore and use cinema as a means of tracing Bangalore's history over the last 80-100 year. Naresh Narasimhan, one of the cofounders of Heritage Beku, was able to delve some of the research and experiments with his organisation mod foundation and came up with a piece initially titled Bangalore as protagonist with mini clips on Bangalore in Canada Tamil English and Hindi show the city from varied and different perspectives. Over a period the name was changed to Bangalore Dreams and so it remains.


Sat 25 Feb

It was important to communicate the strong substance yet like to touch that heritage vehicle has demonstrated over the years. The very first talk on mystery of the locomotive was flagged off by TR Raghunandan who slipped into the intricacies of steam locomotives, massive research libraries in the UK the charm of discovery and the battles of a lost rusting engine in the gardens of the public park. But all is not lost with all the efforts that the team had pudding with demonstrations conversations walks as well as to reach out to both Department of horticulture as well as the south-western railways, it looks like they may be very slow movements towards preservation and restoration of this beautiful Japanese engine occupying a lonely place for the last few decades. Of course we are at initial days and we are hopeful that the right budget will be allotted and that Raghu will have the free hand to be able to restore it in the detailed meticulous and correct way as it should be and Bangalore may be richer by a beautiful restored locomotive and who knows maybe one that can actually chug its way down some little meter gauge line in the state. Dreamy sometimes takes you places


The next talk was by Mr Rajendra Kumar, Karnataka's Chief postmaster general of India posts. a Slight man with twiinking eyes and tremendous energy, Rajendra agenda launched into the incredible partnership that India post developed with heritage Beku in literally discovering a lost heritage building in its environs, setting right back to front building, opening up transgender art in its newly launched evening post office located at its Heritage Museum Road. This and many others like co creating and lauching India'[s first Postal Heritage Trail and interactive postcard dedicated to its heritage buildings.. It's certainly a tribute to what bureaucratic open-mindedness, citizens spirit and good partnership can do in working together with the government to create lasting value. What was particularly interesting was to see the energy and enthusiasm about the Heritage perspective in his busy day job and also the communication of that energy to his wonderful postal team who have taken on the mantle of Heritage warriors and great pride in the many Heritage spaces that they so proudly occupy. He also gave us glimpses of the phenomenal heritage buildings in both Valluri and Mysore that have been so proudly restored. Interestingly he mentioned that was taking pride and heritage buildings his department wants to also ensure that they are restored to its full working glory and regular working use. Listening to him certainly made the heritage beku team beam with joy.


Maybe you came in a little late into the next talk with Aliyeh Rizvi and Kiran Natarajan would've been a little surprised at hearing very clearly what sounded like a battle complete with torpedoes guns and cries of wounded soldiers. Yes indeed, and what a fascinating chat that was ! Titled small city big dreams this freewheeling conversation covered many parts of Bangalore's history from small corners to big discoveries. You need to look at the PowerPoint what connect up with the dog to figure out what the grasshoppers mosquitoes malaria hadn't come in and buy a Nobel laureate originally from Bangalore no less wash and my mini considering is distinctly Dracula focus on something blood. Never a dull moment and in those few minutes with audience interaction it was actually charming to hear some of the stories from the audiences one minute. As we shared with 'Aliaah some of the little bits she left enticingly on the table will definitely need another complete talk. Not just the Dracula tidbit, but let's find out why British collector FR Richards was so keen on teaching the quadrille to ladies at the Bangalore Club. Hmm, we are agog.


Harini Nagendra with her talk Detection unlimited effortlessly steered the conversation around the environment, the detection that led to a great engagement linking up academia with activism, the books that she wrote which made environment so much more relatable to citizens of Bangalore. Her transition into the beloved genre of detective fiction with Ladies Detective agency was an amazing conversation and the ability to travel through the streets and histories of Bangalore, social & economic milieu, the many incidences of valour, City snippets and many golden parts of oks Bangalore were absolutely enchanting She now tells us that the next genre she's experimenting with is the fantasy genre so she has something else to look forward to - as do we . Her effortless conversation and easy exploration on her journey as an environmentalist chronicler an author show that's why Bangalore will always have stalwarts, experts and Bravehearts to protect it. The interactive session that she did with the audience was also great fun where she strongly urged people to follow the heritage Beku way and look at things as stories, or expressions or mysteries to be solved in order to truly understand it better. A fun interactive exercise on writing a detective story by simply figuring out a place, the people, the time they kill the weather and the twist - and then linking it all together , was very well received. Although she was going to be off to Ro0me as visiting Professor, we are determined to take this initiative forward on and create a bunch of fun detective stories featuring any form of heritage in the months going forward - so stand by folks! And thanks Harini for a wonderful session, some great ideas and a growing collaboration.


at 4 pm Naresh V Narasimhan came in just in time to present the brilliant Bangalore Dreams and it was definitely an eye-opener with his setting the stage and why he chose to use this precious film clips to piece together an informal yet felt history of Bangalore. And as he revealed. a follow up to this is also planned. The thematic structure where film clips cascaded across various times, values, ethos and generations.


After a few movie clips of B:Lore it was time for Kirtana Kumar's discussion with Indira Chandrashekar on her recent book Bangalore Blues. A true blue Bangalorean uses her freshly launched book on Bangalore as a journey to discover quintessential places and characters, unique to the city. While she fiercely opposes that it is a nostalgic exploration, it remains at its core a memory project and a strong aggregation of the spirit and freewheeling small town Urbania - of what a truly cosmopolitan and secular city. As Indira untangled some of the more poignant touches, with covered the essential humour and loving tongue in cheek chronicle it remains of the city past. Did you know that this book was self published so that it was able to maintain its own true purpose and core of its storytelling? Or is that this book was written a little after her beloved father had passed, and in a flat three-month artist residency with 33 stories seem to have come tumbling out from Kirtana''s mind - an aggregation of perhaps all the love and soliloquy of the city she's so loves. Bangalore seem to be in full Force to support and celebrate one of its own.


Sunday 26 Feb

Sunday opened with a typical Blr 12 noon show with I, Krumbiegel Hall. It was delightful to watch Munira Sen, musicians Tushar Das and Suresh Jayram in the wings waiting to ascend the stage. And what an intense performance that was. The movement from the singular and first person account of the lost pillar of Krumbiegel hall with Munira;s intense voice drawing out stories of the building, it's milieu of Lalbagh, its creator Gustav Krumbiegel, the voices of his wife and family - and finally its destruction - was so poignant. As the spotlight shone on the image of an old but majestic Krumbiegel hall and finally its ruins after its destruction by a bull dozer, Krumbiegel is great-granddaughter Alyia's voice all the way from London drawing out her memories her heartbreak when the building died was incredible. They really took us back to a time of hope of heartbreak and have a symbol of a historic city come back. But what can we do asked Munira and from the shadows Tushar Das's imagine by John Lennon reminded us of what is possible ...When Munira asked the world for answers, a little later his rendition of Dylan's blowing in the wind in response to the answers we seek to solve city issues and retention of our heritage was utterly apt and beautiful. And then discussion swung to a more here & now realistic recall of Krumbiegel Hall by someone with research and passion - artist Suresh Jayram. The mystery of the first person choosing the Krumbiegel Hall pillar became apparent when 'Suresh revealed that from the wreck of the bulldozed Hall , a part of the of the pillar with chips n crumble and yet actually beautiful was picked up instead of rotting at the garbage heap. Reached Suresh's home - And there it remained -a relic of a time and heritage bust, a crumbling reminder of memory of hope, of holding on and the future. In that discovery the session came around to something more positive and upbeat on how tragedy can still release a democracy ,concerned citizenry to try their bit to help - the power of one, Here North Blr citizen Shubha Priya stepped up to share her own amazement at how single Facebook post of a crumbling railway station at Devanahalli (facing possible destruction) spurred so many citizens as well as heritage Beku, Intach , and experts like Raghunandan to get involved in saving these from destruction and in fact moving forward to work with the railways and concerned authorities to preserve and maintain them. These stations represented not only critical part of our economic and social history but also what a strong reminder of the power of our state the self-sufficiency and historical framework that helped us get around through some such a beautiful old almost doll house like stations. It was an uplifting interlude and a reminder that all is not lost and with love imagination and some passion we can still save we are not future generations can appreciate and treasure them,. Shubha Priya, Munira and her sisters made us sit up - when they moved into her ringing rendition of this song called 'bring back Ole Bangalore to me' - a song sung to the tune of the old ditty 'bring back my bonny to me'. It had the whole crowd cheering, clapping and singing along while the words that all made us chuckle but with a little catch in our throats for City that has changed too fast too soon. What an amazing breadth for a performance on Krumbiegel Hall - to move from drama to music, discussion into hope. To end with the community coming together with laughter, joy and maybe some hope was a fitting culmination.


Another wonderful session was the one on Hoover harbour for the launch of Bangalore serial blossoming festival Priya Chetty-Rajagopal took a group through a different elements covering the concept and impact the stakeholders and implementation so that this could be quickly taken forward as a part of cocreated cultural heritage of the city. Suresh Jayram and came in with a deep request to put aside our preoccupations our mobiles and to truly touch feel and experience nature because that is the only way we can pay respect to nature and be blessed ny her there are many questions from the audience on implementation issues as well as harder environmental focus to protect the depleting recovery of the city.


Prasad Bidappa old his final discussion of the weekend with hisWeaves of Karnataka . The quintessential style guru and Bangalore Huduga Prasad swept his way to the stage with a collection of exquisite Karnataka woven saris as well as a few others to get a sense of the extensive work weavers across the country put in - and support they need to continue their craft. He talked about the Mysore Silks Murakuk Muru sarees, is it was dazzling to see him try them is on the two young volunteers while sharing details on the quality, mechanics and processes of this intricate craft. His droll anecdotes about how some of the sarees had enhanted the finance minister at the 'G 20 summit just the previous day drew you a few smiles. Many of the audience were absolutely delighted to see something as simple as a saree we take for granted explained in such detail with such verve and with such a sense of respect, preservation and continuity. As a young model swirled a beautiful sari draped on a simple T-shirt and Prasad watched approvingly from the sidelines, we got an upbeat sense of a colourful bright and hopeful time ahead.




6th April 2023


Mr. Prahalad

Chief Engineer – BBMP

NR Road

Bangalore 560002

Sent via Email & Whatsapp


Dear Sir:

Subject: Construction of Skywalk , Race Course Rd and developing the High ground circle.


Grateful we have spoken about some of these issues and I have also reached out to Mr Jayasimha the AEE of BBMP TEC.

As mentioned, we were surprised to see construction of a skywalk at the RN Chellaram College and Bharatiya Vidya Bhavan location, as we had no information about this at all in the ward committee meeting. It is always important to share such large projects which hugely impact the community at the ward level so that we can also support and suggest , as we are more informed and sensitive to our own area and community. While Mr Jayasimha clarified last week that this construction is to aid crossing especially for the students, has assured us on whatsapp that it will be aesthetic, strong, well integrated and completely advertisement free, we are concerned as we do not have the details of the project or the necessary drawings for us to apply ourselves or give our thoughts. In addition, being part of the GoK Heritage and Education district as laid out by the GoK ,it is critical for us to be able to represent the heritage of this region given the proximity and colocation Basaveshwara circle, Vidhana Soudha, Raj bhavan and many heritage buildings in and around this area. This area is part of the Palace Trail as well.


Spatial contiguity is key, so we urge you to please share some thoughts now on the blending of this modern steel skywalk into the surrounding space, not AFTER you freeze the design. In addition, the old and ugly sign board or gantry (white) which was there from a long time, continues to be there - completely redundant and superfluous and in addition creates a very ugly impression of 2 large steel structures, one behind the other, (in picture, please see that old gantry is white and new is yellow) completely crowding/ downgrading the road. This needs to be removed at the earliest and the one sky walk can remain. Please do not let both exist.


Similarly the new design for the much needed High Ground Police island should be dignified and a heritage-sensitive which is reflective of the area around which is the Golf Club, Balabrooie, the BWSSB heritage location. National Military Memorial Park as well as the Basava Statue and Basaveshwara circle immediately on the periphery. While there are many issues that we can discuss with you, the important ones remain in taking the local ward and community into discussion and confidence, building strong and strictly necessary structures with a strong focus on spatial contiguity & aesthetics.


The issues around the Sophia Skywalk (unused, no lift, rampant advertisement misuse, ill maintained & ugly) , four unused subways around Legislators Home as well as the garish and illegal LED Signboards at BSNL Bus stop at Devaraj Urs Rd , near Valmiki Park, remain unaddressed despite promises.


We trust we will have your complete support and partnership in creating something that Bangalore will be very proud of rather than one more ugly steel and concrete structure. It’s a small step but can impact community building and city loyalty. Thank you!


We look forward to hearing from you.



Priya Chetty-Rajagopal

Co-Founder, Heritage Beku


CC Mr Jayasimha AEE , BBMP TEC

CC: Manjunath Prasad, IAS


The 11 day Karaga Festival officially flagged off on 29 March 2023 on the auspicious day of Chaitra Poornima and will culminate on April 8th. Over 6 lakh people are likely to participate. We at Heritage Beku are agog to know more about this wonderful city festival,


We invited our fellow member, and famed Historian, author and artist Suresh Jayaram to take us through this most vibrant and well known cultural heritage of Bangalore and the 800 year tradition of the Karaga Jatre or Festival. An expert on the Karaga and as part of the Thigala community, he add a unique insight into an ancient and vibrant jaatre. The Jatre procession and map (courtesy Varsha Raju) is below


Restarted in 2022 after a 2 year Covid hiatus, the rich, colourful and energetic festival resonates with all Bangaloreans, as it winds it way through the Pete. It's interesting that the eleven day festival worships water , the mother goddess and quietly celebrates harmony as well.


The stories and history behind this extraordinary age old, annual event and the community of Thigalas that have carried on tradition, merits repeating. Would you care to listen ?


Then click link below and tune in !



 

The Karaga Route

An illustrative map of the pete area indicating the Gange puje locations, karaga procession route and the locations where the Karaga stops on the Pete Karaga night Map courtesy: Varsha Raju


 

Citizen Matters : Manasi Paresh Kumar on the flow of the 11 day festival

Day 1: Choosing the flag pole

The eleven Day festival begins with what the community call the ‘patta kurisdo’ in Kannada. A flag is hoisted to mark the beginning of the festival in the premises of the Dharamrayana gudi, the 1800-year-old temple built by the Ganga dynasty. The most important ritual is the erecting of flag pole which is a single bamboo which is called Pattada Maara. One family, which lives in the Jaraganhalli (the man wouldn’t reveal their identity) is entrusted with finding the greenest and sturdiest bamboo which is usually sourced from the Bannerghatta Forest. It needs to have 32 knots (markings) or more on it in an even number.

They identify it a few weeks before, conduct pujas, before bringing it to the temple that morning. The flag represents Lord Krishna, who Draupadi had prayed for help. After a procession is taken out with the statues of Arjuna and Adi Shakti in the night, the Bamboo stalk that is brought in that morning is erected in the premises.

Day 2: Gange Puje at Kanteerava Stadium

The first Gange Puje happens at noon at the Karagada Kunte or Koti Bavi near sports academy in Cubbon Park. It was also called the Uppinaneerina Kunte because the water was salty and was massive water body that spread across acres at one time. Today you have look for it because there is no water, though the horticulture department maintains the surroundings well. Previously the water came to it through the kaluves which have now been built upon so there is no inflow of water. So a cement tank was built near it, to continue the tradition.

Says Devendra: “My family is incharge of the logistics of the puje here. The second Gange Puje happens at a pond near Pallavi theatre, known as Hasi Karaga Da Kana. The original spot for this was at Yellamma Temple behind Woodlands hotel, which was earlier surrounded by agricultural fields and wells. But when the temple was closed for renovations for years, it was moved to Hasi Karagada Kunte. We still go back to the Yellamma temple for the symbolic significance it holds but there is only one well in the premises today. We then go to the yelusuttina kote near Corporation before heading to the main temple for the talige or prasada which is pongal. The visit to the Yelusuttinakote happens everyday except the day of Gange Puje at Gavipuram.”

Day 3: Gange Puje at Shantinagar

The current BMTC depot near Shantinagar was once home to Ammachammana Bavi and surrounded by fields that was owned by members of the community grew vegetables. The Gange Puje on the third day would happen there. But since it was closed down, it has now moved to a place called Huvina Thota near Purnima Theatre. After that it goes to the Mahabaleshwara temple, before going to the Dharamarayana Gudi.

Day 4: Gange Puje at Mavalli

Before it all turned into nurseries, Siddapura near Lalbagh was also filled with agricultural lands and wells to irrigate it. But as the city grew, this changed and now the Gange Puje of the fourth day is done at Mavalli. The Maramma Temple is where it begins before moving on to a well in a private house in the area to perform the Gange Puje. Mercifully the well is still full of water, says Devendra.

Day 5: Gange Puje at Gavipuram

On the fifth day, the Gange Puje is done at Gavipuram. The Khoday family which manages a kalyana mantapa in the area have maintained a pond, or a kalayani in its premises where the Karaga Gange puje rituals are allowed.

Day 6: Gange Puje at Majestic

The Dodda Annamma Temple opposite Kapali Theatre at Majestic used to have two or three ponds in its premises where Gange Puje was conducted. Today there nothing but a man-made cement tank with a tap. Devendra says: “Not much can be done. We can’t let go of our customs so we had to adapt. But it definitely hurts to remember the kalayanis that I had gone to as a boy during these prayers.” In the evening, the Aarti Deepa is conducted for the women of Thigala community at the Dharamarayan gudi. Since this is a festival celebrating divinity of women (though most of the rituals are done by men) there are a few worhsips that are entirely the ladies bastion.

Day 7: Gange Puje at Hasi Karagada Kunte, Sampangirama Nagar

The Gange Puje is done at the Hasi Karagada Kunte again in preparation for the evening when the Hasi Karaga actually happens at around 3 am in the morning. This is one of the most protected secrets of the Karaga though there is a crowd of thousands who gather to see it. A pot of water is brought to the temple from here, decorated with a red cloth and kept at the Dharamrayana Gudi which eventually becomes the Karaga.

There are many legends associated with the ritual. Some say that at one time, the pot contained water from the seven kalayanis and kuntes where the Gange Puje was done. “But if we were to follow that today, all the water comes from tankers, so we may be getting it from just one source,” laughs Devendra. They also have another ritual called “gaavu hidiyodu” which is a symbolic ritual of sacrifice (not an animal sacrifice) to ward of evil spirits.

Day 8: Gange Puje at Kalasipalya

The Mariswamappa Mutt at Kalasipalya which now houses the new vegetable market is home to the family to who Pehlwan Lakhman and Narayana belonged to. They organise the Gange Puje at the Mutt which has a well in its premises. The Puje happens under the Sampige tree in the premises. Then they head to the Muneshwara Temple which is also in Kalasipalyam. This space holds a special space in the community because all the last rites for Thigalas after a death are conducted here.

Day 9: Hasi Karaga

The Gange Puje is back again at the Hasi Karaga Kunte for the third time in the morning. In the evening is the main Huvina Karaga procession. So Gange Puje is very special that day. “The reason we go there three times is because it is the doorway to the city through which Adi Shakti came to us. It is a called oorina bagilu. It is the most sacred spot for Karaga and we go back there before before the main procession of the night that most people come to see,” says Devendra. The procession goes on till the wee hours of the morning before the Karaga returns to the temple having gone through the route where it visits temples and a mosque en-route.

Day 10: Final ‘Karaga’

The Huvina Karaga goes on till the wee hours of the morning and returns to Dharamrayana Gudibefore sunrise. (The controversy this year over the change of the Karaga bearer was amplified because the Karaga started at 3.45 am and could not complete the journey before the sun rose). After the procession is done, the community then ends it with “gaavu” or sacrifice that starts on Day seven. There is a Vasanthothsava that follows that evening.

Day 11: It’s curtains down


 

Links:

Blog: Blog
bottom of page